A massive collection of 1200 presets means you can explore endless possibilities-regardless of how deep your synthesis knowledge goes. Nearly anything is possible, from acoustic sounding plucks to jagged EDM bass lines, and washy choral pads to granular percussive jabs. Pigments gets its name from its vast sonic palette. Today we’ll check out Arturia Pigments 3, its latest updates, and whether it’s worth the supposed hype! Overview: Arturia Pigments 3 Virtual Instrument It debuted as recently as 2018, and has seen two major updates in a short period of time. Best known for their software recreations of classic hardware synthesizers, Pigments is Arturia’s first original soft synth.

Especially when we're talking about the sort of crisp digital sounds of a wavetable synth or even the harmonic engine.For over two decades, Arturia has been at the forefront of virtual instruments. Those aren't the kinds features that inspire fawning headlines, but they can add a lot of depth and nuance to your sounds. This new third layer to a sound is specifically for adding noise and sub bass.

Personally I think the most exciting addition is the utility engine. It also has dual morphing formant filters that can sand off some of the harsh edges, allowing you to get vowel like sounds. A little bit of detune and reverb can go a long way here.

I'm especially a fan when it comes to low bassy growls and drones. The results are often reedy or organ-like. The TL DR version is that it uses a combination of sinewaves at different frequencies to generate harmonic overtones. Harmonic additive synthesis is not a particular common method for sound generation, but it can be quite fun and unique. That harmonic engine is probably the headlining feature of Pigments 3.

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